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Justin Timberlake Revs Up His Sex Machine
(This is an excerpt from the September 21st issue of "Rolling Stone" magazine, on sale September 8th.)
The day after his show in Paris, we board a private jet to Amsterdam. The back cabin lounge is filled with the women who travel with Timberlake: two stylists and an assistant. They sing Eighties hits a cappella, and occasionally Timberlake shoots them a look of mock agony. Anticipating the debauchery that lies ahead of us later in the evening, Timberlake tells me that he was stoned during the Justified sessions but has since quit smoking weed and didn't hit the pipe during the recording of FutureSex/LoveSounds.
After Timberlake slays the club crowd in Amsterdam, he poses for photos with label reps. Once finished, he hovers near a group of his friends, including his choreographer Marty Kedulka, but stands unassumingly to the side. He is the only one of them without a beer in his hand, and he doesn't appear celebratory at all after his great gig. For five long minutes he just quietly surveys his entourage with a steely gaze. Suddenly, he cracks a joke and settles into the group again.
With no shows booked for the next couple of days, Timberlake cuts loose. We hop into a black Range Rover and pull out of the venue, through a sea of fans, across moonlit canals and past the paparazzi who have somehow been tipped off about our destination, a hip-hop club in the center of town. The split second Timberlake steps inside the club, the DJ announces his arrival. We're ushered into an upstairs VIP area that's littered with champagne. As the others trickle in, Kedulka and I whip out pre-rolled joints from an Amsterdam coffee shop. "I can't believe I forgot how much fun this is," Timberlake says before taking another drag from a joint mixed with exotic White Widow, AK-47 and Kali buds.
The DJ spins "Another Part of Me," a Michael Jackson deep cut that was part of Disney's collaboration with Jackson, the bygone 3-D extravaganza Captain EO. Timberlake tells me that while working as a Mouseketeer in Florida, he caught the Captain EO show more than twenty times. For years JT has been unabashed about his love for MJ - do you remember his debut solo performance, at the 2002 MTV VMAs, when he performed "Like I Love You" while dressed like the King of Pop? Even on FS/LS - as if he hasn't heard us all snickering about his devotion to MJ - Timberlake name-drops him on "Chop Me Up," scatting the line "Like Michael Jackson, how you do me this way?" "I wear my heroes on my sleeve," he says.
After a fresh joint and a bizarre, stoned dance exercise between Kedulka and Timberlake - where Kedulka unleashes a move and Timberlake either nods approval or ups the ante with a spasm of his own - we're ready to split back to the hotel. In Timberlake's penthouse suite, the three of us reconvene to embark on the six-inch journey to the bottom of a honey-flavored blunt. Before he says good night, though, we sit on his couch, where he plays me a rough mix of his album closer, the Rick Rubin-produced tribute to Donny Hathaway, "(Another Song) All Over Again." It's a stunning ballad, simple and soulful. In Rubin, Timberlake says he found a mentor, and, when the time comes, a producer for his follow-up to FutureSex.
That would be the last time I'd see Timberlake in Europe. I was still wondering what was going through his mind that night in Amsterdam, after his gig - when he stood with us by the canal with that unwavering, ambiguous expression - as we met up a few weeks later at Encore Studios in Los Angeles. He answers before I even have a chance to ask. Turns out he was tired of hanging with girls in his crew and was just waiting for boys' night out to start. "Yo, with all those freakin' females around, they drive me insane," he says. "Insane! When we were standing by the canal, and then me, you and Marty hopped into the Range Rover, I was like, 'Thank you, God.' "
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