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 楼主| 发表于 2012-9-15 22:45:10 | 显示全部楼层
My Friend Michael Jackson by Joanelle Romero

vzubz4.jpg
Joanelle Romero, Sage and Michael


On June 25th 2009, I was packing and moving out of a house we had lived in for 6 years and an acquaintance phoned me and said Michael Jackson is dead, turn on the TV.I dropped the phone, turned on the television and there it all was, I fainted, no one was home with me. I woke and cried and cried and I am still crying. My heart is so broken; you see Michael was a friend and he believed in me. I’ve known Michael since I was 10 years old, we went to school together at Gardner Street school off of Sunset Blvd, we were in the 6th grade together. I was always invited to go to his house to play, he would swing me in this big tree swing and we would speak of our dreams. Michael asked me to go steady on the steps of Gardener Street school. Two weeks before school ended my mother sent me to live with my dad in NM. I never got to say goodbye to Michael.

One week before Michael left this earth, my son and I were shopping at Nordstrom’s, and we run into Jermaine. I asked him to please tell Michael I needed to see him, that I needed to visit, that it was important and I gave him my new numbers. God works in mysterious ways.

In 1991, I launched my production company, it was 2 weeks old when I received a call from Michaels casting office, asking if I had any American Indian dancers because everyone he had been interviewing wasn’t right. I told them “I have the best dancers in town” I really had no one, however I went to many Pow wows and gathered 30 dancers, one of them being my precious daughter Sage. She was 5 then. Michaels casting office had no idea that Michael and I knew each other. To make a long story short. Director John Landis, cast 5 dancers, my daughter – who was the jingle dress dancer, and four other dancers from the native community here in Los Angeles that I brought in that day.

Michael shot 7 hours of photos of Sage while shooting his video and used her image for his painted angels in his Neverland ranch. We had so much fun while filming. Michael, Sage and I watched “Willie Wonka” 3 times while everybody had to wait on set. Michael took Sage and Nancy Reagan to lunch, he had asked if I wanted to go however I declined for obvious reasons. Many stories to remember .....

We had shot the segment of the native dancers in the studio, then Michael read one of my music video scripts and one week later we were on location re-shooting the native segment out-side. Due to Michael’s insight, he added my production company and shared the press in Entertainment Weekly.

Michael became the leading force in making my company known to the world. It is now an award-winning production company in producing American Indian documentaries and independent films. The 1991 “Black or White” music video and song made history. I was able to negotiate for the American Indian dancers to be paid over and above any dancers on any music video ever, due to the fact they were traditionally dressed (the wardrobe did not come from western costume). To date, they are the highest paid dancers in the music video industry. Also, this segment was the first clip of American Indian dancers in a music video without being a Native American music group/artist.

On our opening night of our 2009 Red Nation Film Festival – A Night of Tribute Awards, we honored Michael Jackson for his “Black or White” Music Video – In Loving Memory of Michael Jackson. I have many personal stories about Michael and that I will keep in my heart forever. I am not going to spend my life being a color, I am a Human Being
– God Bless You MJ
Together we can Heal the world make it a better place.
…..We Love You Michael ……..


SOURCE:
http://www.facebook.com/notes/na ... memory/402674670949
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发表于 2012-9-16 01:56:07 | 显示全部楼层
收藏了,空时再看,感谢LZ上传。
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I'm your lost child.

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发表于 2012-9-16 09:51:06 | 显示全部楼层
文字看不懂。只能看图了。
Without your tears, how could I cry.
Without you warmth, how could I care.
Without your strength, how could I survive.
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发表于 2012-9-16 10:44:12 | 显示全部楼层
这帖子好棒,谢谢楼主分享。
晚安,迈。外面好吵,吵得我头都疼了。
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发表于 2012-9-16 11:02:53 | 显示全部楼层
收藏了,如果有中文翻译就更好...
当岁月褪去了所有的流言~美丽的天使已经不在人间;  在你用梦想冶愈的世界里~世人已错过了爱你的流年
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发表于 2012-9-16 11:45:13 | 显示全部楼层
楼主太强了  好罕见啊
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 楼主| 发表于 2012-9-16 18:44:42 | 显示全部楼层
9uvm9f.jpg
Left- Michael Jackson plays Jenga with Brad Sundberg, owner of BSUN Media Systems. Right- Michael and Brad at West Lake Studio D

After 18 years of installing his systems, Brad Sundberg saw everything from the King of Pop’s work ethic to his behavior to his chimps.

Integrators tend not to be star-struck since many cater to extremely affluent clientele.

There are celebrities, and then there was Michael Jackson.

When Brad Sundberg, owner of BSUN Media Systems, mentioned his work on Jackson’s infamous Neverland Valley Ranch during his CE Pro of the Week profile, questions came to mind:

What was Michael Jackson like as a client?

What was he like away from the cameras?

Sundberg, who says he worked with the famous performer on countless personal and professional projects over 18 years, wrote about his experiences in a long essay in a BSUN e-newsletter sent a year after Jackson’s June 2009 death. Following are some excerpts:

On meeting Jackson …

Michael was working on Captain EO for Disneyland and Epcot Center. He was fresh off the Victory Tour, the Thriller album, his dominance of MTV, and he was back in the studio. I wish I could remember our first meeting, but it was likely just passing each other in the hallway. He was always warm, yet shy. Over time we would chat now and then, but it took time to build the trust.


On Jackson’s nickname for Brad Sundberg …

Early in 1986 the team moved into Westlake Studio D in Hollywood to record the Bad album, and welcomed me in. I worked other sessions during the day, but at night I was invited to sit in and learn. Eventually I worked my way up to technical director for the team, and the trust was solidified. It was during this time that Michael nicknamed me "Really Really Brad," a twist on the chorus, "Bad, Bad, Really, Really Bad." Check the album credits, it’s there. <---haha what a cheeseball

On what Jackson was like …

Not for a moment do I pretend to have been a close friend of his, or a confidant. Rather I worked for him and with him, and considered it an honor.

He was a consummate professional. If his vocals were scheduled for a noon downbeat, he was there at 10 am, with his vocal coach Seth, singing scales. Yes, scales. I would set up the mic, check the equipment, make coffee, and all the while he would sing scales for two hours.

He typically drove himself to the studio alone. For a while he drove a big Ford Bronco with dents and scrapes on it. He was not a great driver. More than once he called into the studio to say he would be late after being in a fender bender.

He was intensely curious about "normal life." He asked me about Christmas once, and couldn't understand how kids could wait until Christmas morning to open the gifts. You see, he was raised Jehovah's Witness, so Christmas was not celebrated in the Jackson family.

On working in-studio with Jackson …

A "typical" MJ album would take between 10 and 16 months in the studio. His budget allowed for as many as 100 songs to be recorded for any given project. Some would be discarded early on, while others were fine tuned. Musicians would be brought in to add their textures and ideas, but in the center of it all was Michael.

The team was remarkably small given the scope of the projects. Each project was slightly different, but typically there were less then eight of us working day to day, from the first day until the project was mastered. No entourage. No Elephant Man bones. No groupies. No drugs. Just music. And food.

On Jackson’s love of food and "family day" …

During the [making of the] BAD album, Fridays quickly became known as "family day." He would have his two chefs, affectionately known as the Slam Dunk Sisters, prepare a large dinner for the crew, musicians and any family members that might be around. Since I was working sometimes 80 hours a week, it was not uncommon for Deb to come have dinner with us. Michael loved these family get togethers.

In later projects I would bring my girls, whom he loved and would play with. There is one moment in time in my head when Deb brought my daughter Amanda, who was just a baby at the time, into the studio for the afternoon. She set up a play mat and brought some toys, and Michael sat and played with her for a while. He looked at Deb and said, "This is her own little world, isn't it?"

On celebrity visitors and chimps …

It was not uncommon for celebrities or VIPs to stop in. One day the Secret Service searched the building for a couple hours before Nancy Reagan came for a visit. Next it was Princess Stephanie from Monaco … The chimps were common guests in the studio, as was a giant snake, both of which I would wind up holding during MJ's vocals.

On watching Jackson write songs …

I have watched him write many songs, and the process is amazing. I asked him where they came from, and he said they were gifts from God. He could hear the entire song in his head before we could get tape on the machines. He would sometimes sing the drums, bass, percussion, keyboards, etc., and we would later bring in musicians to replace his demo tracks.

On Jackson’s childhood …

I remember him telling me about grown women throwing themselves at him when he was just 9 or 10 years old.

One story I will never forget was him telling of flying with his dad and brothers through a lightening storm at night. The plane was being tossed around, lightening was flashing, and he started crying in fear. His dad ignored him, embarrassed. A flight attendant sat with until the plane cleared the storm. Hearing him tell that story, with tears in his eyes, gave a glimpse into his life.

On working at Neverland …

Somewhere around 1991 he asked me to visit a ranch he had purchased, and design a sound system for a carousel. The next thing I knew I was at Neverland Valley Ranch, in Santa Ynez, CA. There was construction everywhere, and the amusement park was in the early stages of installation.

Over the next few years Michael asked me to build system after system, putting music on the bumper cars, in the petting zoo, on two trains, all around the amusement park, the boat lake, the train stations, and eventually inside the house, and inside his bedroom and bathroom. Deb loves to tell of the times Michael would call at 2 in the morning (his sleep schedule was never normal) to talk to me about a new attraction he had coming to Neverland, and if I would put music on it.

I still have an old answering machine tape of him thanking me for one of the systems we had built.

By Tom LeBlanc
August 16, 2010


SOURCE:
http://www.positivelymichael.com ... nd-the-photos/page8
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 楼主| 发表于 2012-9-16 18:55:16 | 显示全部楼层
My Mentor by Wade Robson

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MJ with his protege Wade Robson.


I used to talk to Michael for three hours a day. I never really worked out how he came to find so much time because he seemed so busy, but he would ring me and we would talk and talk and talk. When he got a cell phone he would call and text all the time. It was part of an amazing friendship that lasted for 20 years.

I had first met Michael when he was kicking off his bad tour in 1987. I was five, but Michael's company were holding a dance competition in every country and I entered the one in Brisbane. I remember being a kid and dancing to his video- the first ever I say was "Thriller" when I was two. It was my mum's tape and I just went nuts over it. I used to run into the kitchen scared every time the werewolf came on. By the time I was three I had pretty much learned its entire choreography.

I ended up winning the dance competition. We went to see Michael in Brisbane and at a meet and greet i was introduced to him. I remember wearing a custom made outfit from "Bad"- my mum's belt was wrapped around me, like five times. Michael was impressed and asked me if I had danced. I told him that I did and he said " Do you want to perform with me in the show tomorrow night?"

I couldn't believe it. He was due to play Brisbane the next night. His idea was for me to come out for the last song of the show which was "Bad". He was bringing on some orphaned children so he figured it would be cool to bring me out in the full "Bad" outfit. At the end of the song we were all onstage- Stevie Wonder was there too and Michael came on and said "Come on". I took it as him meaning "Get into it!".I moved downstage and threw my hat into the crowd and started going crazy. When i turned around Michael was saying goodbye to the crowd, the other kids were gone and Stevie Wonder was being escorted off. What he meant was "Come on lets go, It's over".

When I realized, I ran off. After my mum and I spent two hours with Michael into his hotel and we became friends. He showed us clips from the new Moonwalker he was working on and we talked and talked. We didn't really stay in contact but i joined a dance company- literally the next day and two years later I was in America to play at Disneyland. I got in touch with Michael through his people, he remembered me. Me and my family went to Record One Studio where he was mixing the Dangerous Album. I showed him some of my dance videos and he said to me. "Do you and your family want to come to Neverland tonight"? We all agreed and ended up staying for two weeks.

Our friendship blossomed. For two weeks he'd take me into his dance studio, put some music on and we'd dance and jam for hours.We'd sit there and watch films like Teenage Mutant Ninja Turtles.Other time we'd just leave Neverland and drive out in a car, blasting music really loud.

He even taught me how to do the moonwalk.We were in his dance studio. He taught me foot by foot. I couldn't sleep that whole night. The thrill of pushing off the bar and sliding backwards in a moonwalk with the guy that made it famous was so exciting.

Later, me and my mum wanted to move to America to pursue my dreams of becoming a dancer and he helped us out. He gave me a big start by putting me in some of his videos like "Black or White". The role he took on was one of a mentor.

He told me when I was seven that I'd be a film director and that's what I became, he created a thirst for knowledge in me. Once, a mini recording studio turned up on my doorstep, but what was cool was that he stopped me from becoming a spoiled brat. He would say "This is for you, but I want to see you do something with it. Don't take it for granted or I''ll take it back".

The last time I saw him was in July 2008. I was in Vegas working on a show and he was living there. Me, my wife and him and his three kids had a barbecue. It was the most normal thing in the world. Me and my wife had been to Whole foods and bought stuff to cook. But when we got there he'd provided loads of catering. I said, "Dude, Why did you bring loads of catering? We've got regular food here". I remember cooking outside while Michael sat there under an umbrella.

We had great times because he was such a caring person. Most of all I'll miss those phone conversations. I still have my mobile phone with his number on it. I just cant bear the thoughts of deleting his messages.

Michael Jackson changed the world and, more personally, my life forever. He is the reason I dance, the reason I make music, and one of the main reasons I believe in the pure goodness of human kind. He was a close friend of mine for 20 years. His music, his movement, his personal words of inspiration and encouragement and his unconditional love will live inside of me forever. I will miss him immeasurably, but I know that he is now at peace and enchanting the heavens with a melody and a moonwalk.

I love you Michael.

- Wade Robson


SOURCE:
http://www.waderobson.com/
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 楼主| 发表于 2012-9-16 18:56:47 | 显示全部楼层
Michael Jackson was at UFC 84

20080526mjsightings_medium.jpg

It’s true, Michael Jackson is evidently a fan of The Ultimate Fighting Championship as evidenced by his appearance at UFC 84. Attendees report seeing the King of Pop wheeled into the arena in a wheelchair just in time for the Tito Ortiz vs. Lyoto Machida match with his face covered with a hood and sporting sunglasses. It’s been rumored that Jackson has some financial dealings with a company that the Fertita brothers, who own the UFC, have an interest in.

SOURCE:
http://prommanow.com/index.php/2 ... kson-was-at-ufc-84/
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 楼主| 发表于 2012-9-16 19:01:06 | 显示全部楼层
WWE众星哀悼Michael Jackson CM后台感言


WWE的明星们就刚刚去世的“流行音乐之王”Michael Jackson 发表了自己的看法。以下是他们在自己的Twitter主页上的摘要:

Chris Jericho:我93年的时候看过他的演唱会,令我印象深刻,他是最棒的歌手。同时,他也表达了对周四因癌症刚刚去世的Farrah Fawcett的惋惜之情:Farrah Fawcett太性感了,在我年轻的时候她是我每晚睡前都要想到的人。

Hurricane Helms:“我是MJ的忠实fans,我还有一件那种老式拉链的夹克,我曾加去过他的梦幻庄园赴宴,真是棒极了。”

The Miz:“我真不敢相信他真的死了。”

Maria:“他怎么能死呢?他是我童年时代最重要的人之一,他激励我们,他统治世界,他让我们尽情摇摆,真的好难过。”

Eve Torres:“多么令人震惊的消息,谢谢你,你用你的天赋为全世界的人们带来快乐。”

Howard Finkel:“安息吧,Michael和Farrah,一位杰出的表演者和一个天使就这样离开了我们。”


SOURCE:
http://www.wwe100.com/wwe/news/3146.html
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 楼主| 发表于 2012-9-16 19:24:47 | 显示全部楼层
A Conversation with Debbie Lee Carrington
by David Yeh on March 17, 2010

Debbie Lee Carrington is a busy actor having roles in numerous television projects such as Seinfeld, Bones, Nip/Tuck, and ER.  She can be seen most recently in the film Bitch Slap that can be found on DVD.  Prior to that body of work, she had roles in several George Lucas projects including Return of the Jedi, The Ewok Adventure, Howard the Duck, and a small 3D project called Captain EO, playing the role of Idy, the two headed creature that serves on EO’s crew.

We stopped to catch up with Debbie on the opening day of the Captain EO Tribute at Disneyland to talk about some of her memories from the project.

EndorExpress:  Hi Debbie!  On Captain EO you played the character of Idy –

Debbie:  Yes, I played Idy the Geex – I played half of the Geex.

EndorExpress:  And who played the other half?  Do you guys still keep in contact?

Debbie:  Ody was another actress named Cindy Sorensen and yah every now and again we bump into each other and talk on projects and things.

EndorExpress:  We’re all huge fans of Captain EO.  What was the process like getting onto this project?

Debbie:  It was actually one of my very first jobs and I remember that I auditioned for it, but don’t remember how I got it.  I do remember that it was kind of a technical aspect because they had to find two actors that they liked who were the same height and could be in this costume together.  We were wearing this back-brace because we were two heads and three legs in one body.  So they not only had to find an actor with the right personality and the right talent, they had to find another actor to complement that and be in the same size range.  So that was a little difficult.  I never had to play one character and coordinate with another actor for the one performance before.

EndorExpress:  Being that Captain EO was a Disney project, there was a lot of merchandise sold during the original release.  Do you have any of those old Idy & Ody toys?

Debbie:  I gave them to my nieces!  [Laughs]  But I saved my security pass that Michael had signed and I’ve got some of the original cast & crew sheets and things like that.  I saved a lot of things.  One thing that is very special to me is a storyboard from Captain EO that Michael had signed.

EndorExpress:  That is amazing!  Now, I’m sure you’re eager to see Captain EO again as we all are.  Do you have a favorite memory from working on this project?

Debbie:  It was all just mind boggling and unforgettable.  I mean, I remember the first day at the table read sitting around on the studio lot with Francis [Ford Coppola] and Angelica [Huston], Tony Cox (Hooter), and Cindy waiting for Michael Jackson to arrive.  All of a sudden he shows up coming through the giant stage doors with his glasses, his glove… and he came in.  Francis went around the room and introduced everybody.  Michael was painfully shy!  Very surprising.

Francis would say, “Debbie, this is Michael.”  “Michael, this is Debbie Lee Carrington.”  He [Michael Jackson] would look down and say, “Pleased to meet you.”  Just having him walk in the door with that first impression, with the light behind him, it was just amazing.  And then the process of getting to know Michael and really sharing moments and seeing him dance – the whole THING was one of the most amazing jobs I’ve ever done.

EndorExpress:  And I think being a part of his ‘crew’ really added to that.

Debbie:  Oh yes!  Part of his crew.  Captain EO was our boss so we were very close with Michael.  It was all very fun.  When Michael would dance, you know, that was a whole other thing.  He would snap into another person and it was just so magical and impressive.  You’d get chills watching him dance.

IMG_9395-650x433.jpg


SOURCE:
http://www.endorexpress.net/spec ... bie-lee-carrington/
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 楼主| 发表于 2012-9-16 19:36:43 | 显示全部楼层
Why was he called Doo Doo?

--------------------------------------------------

This is fragment from 3T interview I found

Why do you call Michael "Uncle Doo Doo"?
Taryll: As you know, he's stupid (laughs). He does silly things.
Taj: It's one of the thousand nicknames he gave himself. Even when he's away, we stay in touch with him. We send him letters and he answers. He signs his letters "Uncle Doo Doo," it's just to do something silly.

So there's no real meaning behind it?
Taj: No! (laughs) I'm sorry, I wish there was one!

SOURCE:
http://mjackson.com/forums/topic/2980-why-was-he-called-doo-doo/
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 楼主| 发表于 2012-9-16 19:52:06 | 显示全部楼层
Jackson lignede en klovn

Danske Linda og hendes datter Jessica troede ikke deres egne &#248;jne, da de m&#248;dte Michael Jackson i Sydafrika

No_name_448383d.jpg
To-&#229;rige Jessica fra Tommerup sammen med kongen af pop. Billedet er fra 1999, og det fort&#230;ller ganske godt historien om Jacksons deroute. (Privatfoto)

No_name_448384d.jpg
Linda Wetterstein, der idag ses med sin 12-&#229;rige datter Jessica, troede, at de m&#248;dte en klov, der fors&#248;gte at efterligne Michael Jackson. Men det var alts&#229; den &#230;gte vare.(Foto: Peter Leth-Larsen)

– Det var helt surrealistisk. Vi troede faktisk, det var en eller anden klovn, der muligvis pr&#248;vede p&#229; at efterligne Michael Jackson.

– Pludselig opdagede vi alle hans bodyguards, s&#229; hans lille, spinkle og skr&#248;belige krop og h&#248;rte hans lyse pigestemme, da han selv henvendte sig direkte til os, fort&#230;ller 34-&#229;rige Linda Wetterstein til Ekstra Bladet.

Her mere end 10 &#229;r senere husker hun stadig, hvilke f&#248;lelser der str&#248;mmede gennem hende, da hun i januar 1999 var p&#229; ferie ved Johannesburg i Sydafrika sammen med bl.a. sin s&#248;ster, Tina, og sin to&#229;rige datter, Jessica.

Lignede ikke et menneske
Under et restaurantbes&#248;g bem&#230;rkede de en sp&#248;js og lidt latterlig figur ved et af nabobordene. Det viste sig at v&#230;re selveste det 20. &#229;rhundredes st&#248;rste popnavn, Michael Jackson.

– Vi snakkede om, hvad det dog var for en klovn. Han lignede slet ikke et menneske.

– Da jeg f&#248;rst forstod, at det virkelig var ham, fik jeg helt ondt af ham. Han var et optimistisk og k&#230;rligt menneske, der var h&#229;rdt ramt, forts&#230;tter Linda.

– Og da han tog solbrillerne af, s&#229; hans &#248;jne helt d&#248;de ud, og der var store rande ved n&#230;sen. Han lignede en d&#229;rlig voksfigur, tilf&#248;jer Lindas s&#248;ster, Tina.

P&#229; en lyser&#248;d elefant
Da Jessica, Lindas to&#229;rige datter, satte sig op p&#229; en lyser&#248;d elefant med m&#248;ntindkast, kom Michael Jackson hen og snakkede med danskerne.

Linda var helt paf og kan i dag slet ikke huske, hvad de snakkede om eller hvor l&#230;nge:

– Men pludselig tog han solbrillerne af og stillede sig op til fotografering sammen med Jessica. S&#229; skyndte vi os at knipse, forklarer Linda om et af de st&#248;rste &#248;jeblikke i hendes liv.

– Jeg havde jo selv danset til hans musik som barn, s&#229; det var helt vildt og uvirkeligt s&#229;dan at rende ind i ham p&#229; en familieferie i Sydafrika.

Pludselig opdagede vi alle hans bodyguards,s&#229; hans lille, spinkle og skr&#248;belige krop og h&#248;rte hans lyse pigestemme


SOURCE:
http://ekstrabladet.dk/flash/udlandkendte/article1187612.ece
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 楼主| 发表于 2012-9-16 19:53:54 | 显示全部楼层
3T talk about their Uncle Doo Doo (1995/6)

Dunno if this should go here, or in 2300 Jackson Street, but either way, enjoy

How did the recording of this other song on which Michael sings -"I Need You"- go?
Taj: We made him listen to the song and he loved it. He just wanted TJ to re-sing one or two sentences and put more emotion in it. So TJ said that was a great idea but he wanted Michael to how him how to do it. So we all went to the studio where Michael was recording his own songs five minutes away from where we were. We gave him a call and he came. He helped TJ all the way through the recording of his part and he also got the idea for the voice inflexions in the end. The producer of the track then asked him if he would sing at the end of the song and Michael said "of course." When Michael started singing, the producer started crying because it was a dream come true for him; to see Michael Jackson singing one of his songs.

Why do you call Michael "Uncle Doo Doo"?
Taryll: As you know, he's stupid (laughs). He does silly things.
Taj: It's one of the thousand nicknames he gave himself. Even when he's away, we stay in touch with him. We send him letters and he answers. He signs his letters "Uncle Doo Doo," it's just to do something silly.

So there's no real meaning behind it?
Taj: No! (laughs) I'm sorry, I wish there was one!

What's your favorite song on the HIStory album?
Taj: Gosh, I don't know. It's hard to tell...
TJ: One thing's for sure, out of all his albums, this is probably our favorite one because it has more songs on it! (laughs)

What do you think of "Money"?
Taryll: What do we think of money?

No, the song! (laughs)
Taryll: I love it. It's great. Seriously, I really love "Money". Actually, the whole album is fantastic.
TJ: I like the words of this song, they're really strong and, in most cases in America, they tell the truth.

During the Dangerous Tour, you spent a lot of time on the road with Michael. Tell us more about it...
Taryll: I think that's when we learned the meaning of the words "travel" and "do a show". At the time of the Jackson 5 and even the Victory Tour, we were too young and we had to go to school. We would only travel during our school breaks so we wouldn't miss class. During the Dangerous Tour, we had the opportunity to spend time away from home without having to go back to school. Each day, for months, we saw everything. We saw the fans, the way our uncle would act with them. He taught us lots of things. We learned a lot.

Do you see Michael as your uncle or as the King of Pop? Can you, for example, tell him anything you want?
Taryll: Oh yes! One time, during the Dangerous Tour, he'd get the words wrong during "I Just Can't Stop Loving You" and show after show, he'd make the same mistake. We kept telling him but he'd always forget. One day, he finally sang the words correctly and at that very moment, he pointed at us from the stage. We have a video camera and another time we asked him to wave at us while he'd be onstage and he did so during "Heal The World," that was funny. It reminds us he's still our uncle. When we're backstage playing video games or acting stupid or joking around, he's just Uncle Doo Doo. But when he comes up onstage, even us we get stunned, he's fantastic. Anybody would get stunned seeing him perform, it's the same for us.

People must ask you loads of questions about Michael. Is it okay with you?
Taryll: It doesn't bother us. We're very proud of our uncle. We understand why people want to talk about him, it's because he's great! It's nice to talk about him sometimes, but when we get up at 5:30 in the morning to do a TV interview at 6 and there's not a single question about us... but we don't mind. We wouldn't be where we are today without him, we know that. He gave us so much.
TJ: He gave us so much advice, it gave us confidence in ourselves.
Taryll: He taught us how to write songs, how to sing, he helped us. Without him, we would still have made an album but I don't think it would have been as good. He really taught us a lot of things.

TJ, you're still at school, how is it with the other students? Do they ask you questions about Michael?
TJ: No. I go to the same school my brothers went to before me. We've spent our whole lives there, about 15 years. We grew up with the same people. They never ask me questions. It's a small school, mainly for showbiz kids like Tevin Campbell, Sydney Poitier or Quincy Jones' kids, to name just a few. They simply don't ask me questions.

What kind of advice were you given by the other members of your family when you started in the business?
Taryll: We were told to stay together, to work hard, to make the most of it, to have fun and to fight for what we believe in. But most importantly, to stay together.

Will you support Michael on the HIStory Tour?
Taryll: Maybe, we haven't asked our uncle. We haven't talked about that. If he wants us to do it, we'll be happy to accept. I think anybody would do the same. But we don't think we have to do it to assure 3T's success. Whether we do support our uncle or not, we think we have a good album and the chance to make it anyway. We're not running after this tour, we don't count on it.

Michael and Janet are great dancers. Are you planning to dance in your future videos?
Taryll: We dance a little bit, but we're not as good as them. They're fantastic. It's alright (laughs). We play Baseball.


This is from the Michael Jackson - Remembering The Times fb, but I've seen it elsewhere too.
The bit about IJCSLY makes me ache inside ...


SOURCE:
http://www.positivelymichael.com ... heir-Uncle-Doo-Doo-(1995-6)
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 楼主| 发表于 2012-9-16 19:58:35 | 显示全部楼层
Michael Jackson and Me: Strangers in Moscow

TRAVEL STORIES: Jeffrey Tayler recalls a cold night in 1993 when he took a break from writing his first book to see a performance by the "King of Pop"

It was mid-September 1993. I had moved to Moscow a couple of months earlier, during the warm if somewhat gritty doldrums of summer. Now, as autumn set in, it was raining endlessly from low clouds, greasy blackish mud made sidewalks slippery, and streets at night, with few lit-up advertisements, were mostly dark. Moscow, in short, had a shabby, sooty, worn-out, still-Soviet look. I hadn’t yet gotten my Russian “sea legs.” Moscow was new and strange and even threatening to me. (It was strange and threatening for many Russians, too, of course, given the heightening political tension that would flare into armed revolt against President Yeltsin by the month’s end.)  But when I found out Michael Jackson was scheduled to perform live at Luzhniki Stadium as part of his “Dangerous” world tour, I did what I’d never done before: I bought a ticket to his concert. It lifted my mood, and made bearable my days locked away writing my first book, Siberian Dawn, in my roach-riddled, noisy, one-room apartment in a crumbling cement-block Khrushchovka building.

This was before Michael’s sex scandals. His popularity then was far higher than it has been in recent years; he was the most famous American on the planet, one whose name aroused well-nigh universal admiration. He had been this famous for years, however. While I served as a Peace Corps volunteer in Marrakech a couple of years before, Moroccans often asked me if, being American, I knew him. Russians weren’t so na&#239;ve, but it seemed everyone in Moscow back then had an opinion about Michael: Usually, they loved him. That such an American superstar was about to arrive in their capital meant something to them. Foreigners were still a novelty in Russia, times were hard and dark, and his promised appearance was shedding copious glittering light well in advance.

The centralized heating still hadn’t come on in my building. On the evening of the concert, I recall feeling damp and cold as I put on my raincoat, grabbed my umbrella, and readied myself to leave. I wasn’t yet quite in the mood. In my journal for that day I later wrote: “Seraya zhizn’ [the gray life]. I walked out into the drizzle and looked at the soupy gray sky and shabby gray concrete buildings and huge mucky puddles ... Being alone in this miserable flat ... living poor ... struggling with my book, my last chance.”  I took the metro to Luzhniki. The crowd in the cars was mostly young and excited, and every now and then, between the roar of the train in the tunnels, I’d hear “Dzhekson ... Dzhekson ... Michael Dzhekson!”

Seventy thousand fans didn’t fill the huge stadium; there were empty seats, probably owing to the high price of the tickets and the terrible weather. I recall standing some 30 yards from the stage. The rain barreled down and I could see people’s breaths puffing; we got soaked, umbrellas or no, raincoats or no. He was one hour late, then two hours. Periodically, images of his catlike eyes would glow into view on a huge video screen above the stage, and people would start screaming. I didn’t scream, but I was certainly excited. The images would then fade. In the intervals, people were largely silent, as if by speaking they might scare him away. Breath puffed into the rain, the sky darkened, and there was no future: only a trembling expectation.

After two and a half hours, a light gradually illumined the center-stage and revealed Michael standing there, already posed, hand on hat, knee cocked. His breath puffed white in the now-frigid rain. (“He’s breathing!” a girl shouted next to me.) The crowd roared, people began jumping up and down. He launched into “Jam.” My journal notes don’t record more than this, but I remember his performance as stunning. I had somehow expected him to disappoint, as though careful editing of video clips might have made him out to be a better dancer than he was.

Soon someone in the management apparently decided that the rain posed a threat to Michael. Mop-wielding little old ladies (of the type once so common in Moscow) in headscarves shuffled out onto the stage, as he sang and gyrated and pranced, and wiped away the excess water, so he wouldn’t slip. He danced among them, around them, and never missed a step, never appeared to even notice them. He was soon into “Billie Jean,” and, by the time of his first moonwalk, I didn’t notice the rain or the little old ladies.

At some point, he took a break and the stage went dark. It seemed we all held our breath. No one spoke, everyone just stared at the stage. A few minutes later, the stage lights came on and we heard his voice, rather tender and feminine: “It’s cold as ice out there!” He felt the cold as we did, but he was able to perform and dazzle us all. This seemed simply incredible. I was already sore and stiff from standing there, yet he could dance. I had never thought of music stars as suffering from the cold on stage. (This was, after all, my first concert of any kind.) He returned and sang for another hour.

His brief stay in Moscow apparently hit him hard, making him feel lonely. At least we can gather as much from his later, soul-wrenching slow song, Stranger in Moscow. It contains the lines, “I was wandering in the rain/Sunny days seem far away ... Kremlin shadows belittling me/Stalin’s tomb won’t let me be ... KGB was doggin’ me ... stranger in Moscow.” The KGB surely did not dog him in 1993, but his words well expressed how lonely I often felt during my first year in the Russian capital.

Michael united me with the Russian audience in a visceral way. Better said, there were no Americans, no Russians in that audience; we were all just admirers of Michael.

I have never been to a concert since then. His performance, and what it meant for those who witnessed it on that long-ago, rainy September day, set a standard too high to match. Rest in peace, Michael. The people of Moscow, and I, will never forget you.

SOURCE:
http://www.worldhum.com/features ... in-moscow-20090626/
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