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杰克逊遗产会收购索尼吗?(23楼有更新)

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 楼主| 发表于 2015-10-18 14:39:07 | 显示全部楼层
MJ遗产管理人约翰布兰卡:我们打算接管索尼/ATV!

2015-10-17

前段时间传出大新闻,索尼启动收购/卖出条款,打算把它手上的一半的索尼/ATV股份卖出。而迈克尔杰克逊的遗产管理委员会有望收购索尼。

索尼/ATV是当年迈克尔杰克逊和索尼联合成立的合资公司,对半拥有所有权,现在价值20亿美元,是世界头号音乐出版公司,控制300多万首歌曲版权,包括披头士、Taylor Swift等巨星的版权。

后来又有消息指,启动收购/卖出条款,索尼和杰克逊双方都可以收购对方的股份,就看最终谁能赢下,谁就控制100%的股份。所以,这次的结果,也有可能是财力更雄厚的索尼收购MJ。

迈克尔杰克逊遗产管理人约翰布兰卡昨日对此消息首次发言,回应说:“是的,我们打算接管这个公司。” 彰显了杰克逊遗产收购索尼的决心。


至于《公告牌》杂志的一则报道称约翰布兰卡打算取代现任索尼/ATV总裁Marty Bandier,布兰卡回应说,“我和Marty是30年的亲密朋友。我完全支持他。消息说我们要接管这个大公司——这是真的——但说我要取代Marty的位置,我可没这么想。”

杰克逊遗产和索尼将在接下来几个月内谈判,索尼/ATV这个MJ最骄傲的版权帝国即将迎来新的主人。看MJ遗产的能量了!
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 楼主| 发表于 2015-10-18 14:39:24 | 显示全部楼层
《洛杉矶时报》:

Sony/ATV Music Publishing has made a killing from famous songs like the Beatles' "Yesterday," but what tomorrow brings is far from certain for the company that controls some of the world's biggest hits.

The music publisher manages 3 million copyrights and a roster of songwriters that includes the likes of Taylor Swift, Lady Gaga and Ed Sheeran. Since 1995 it has operated as a joint venture, split evenly between Tokyo-based tech giant Sony Corp. and the estate of Michael Jackson.

Ownership of the world's largest music publisher is likely to change now that Sony has begun a process to potentially sell its half of the enterprise, which as a whole is said to be worth close to $2 billion. Sony's bankers are trying to determine the joint venture's current valuation, and music executives and financiers have held meetings in the last week to discuss the catalog's future.

The Jackson estate appears to want to use this moment as an opportunity to find a new strategic partner, according to a person familiar with the talks who was not authorized to speak publicly. Potential candidates include rival music companies like Warner Music Group, as well as private equity firms such as Apollo Global Management, the person said.

A transaction could generate a big cash pile for Sony, which has struggled lately in other areas of its electronics business. Speculation about a sale has been in the wind for roughly a year, and even came up in emails exposed in last year's cyberattack on Sony Pictures.

The impending changes come at an uncertain time for music publishers, which handle the songs and compositions behind the sound recordings heard on iTunes, radio and streaming services. Sony/ATV and rivals have been trying to get higher royalty rates from the growing industry of online streaming services such as Pandora, Spotify and Apple Music.

"When, at some point, the current debate around royalties and streaming gets worked out, this may prove to be a shortsighted trade," said Joe Rapolla, a music professor at Monmouth University and former record label executive. "But since no one knows how long that will take. Sony may want the cash now."

Sony executives told employees this month that the company has triggered a clause in its contract with the Jackson heirs that could lead to a change of ownership, allowing either Sony or the estate to buy out the other partner's 50% stake. It's one major step in a process that "will play out over the next several months," according to an internal memo Chief Executive Martin Bandier, 74, sent to staff.

"I remain confident that for all of us it will be business as usual during this process and that our best years are still ahead of us," Bandier wrote.

Indeed, Sony has continued to make deals with songwriters, announcing worldwide publishing agreements with singing group Pentatonix and Norwegian deejay Kygo in just the last month. It's also preparing to move into new offices in New York and the Los Angeles area. The L.A. operations will relocate from Santa Monica to Sony Pictures' Culver City lot.

In one of the scenarios being discussed, Sony would sell its half and the Jackson estate would also cash out a portion of its share to a new co-owner. The estate may want to partner with a company already in the publishing business.

Warner Music Group, the third-biggest record label, is expected to take a look, and it already owns a major publisher in Warner/Chappell Music. Rights management company BMG, a subsidiary of German media firm Bertelsmann, could kick the tires with the help of outside investors. However, BMG Chief Executive Hartwig Masuch told the Financial Times this week that it would not be tempted to make a play.

Vivendi-owned industry titan Universal Music Group is not expected to be a buyer, due to antitrust hurdles.

Sony/ATV did not make Bandier available for interviews.

Representatives for Sony Corp. of America, the estate of Michael Jackson, Warner Music Group, Universal Music Group and Apollo Global Management declined to comment.

Jackson paid $47.5 million for ATV Music, the publishing company that owned the Beatles catalog, in 1985. That deal sent shock waves through the music industry at the time and would badly damage the relationship between Jackson and former Beatle Paul McCartney, who had collaborated on songs like "The Girl Is Mine" and "Say Say Say."

In 1995, Jackson merged the business with Sony's music publishing arm to form Sony/ATV. Jackson died in 2009.

Sony took in $591 million in revenue from music publishing in its most recent fiscal year, according to a public filing from the company, up about 6% from the previous year. By comparison, the Sony Music record label that represents the likes of Adele and Beyonce generated nearly $3.2 billion in sales during the same period.

Larry Miller, director of the music business program at NYU Steinhardt, said the publishing business could be particularly attractive to companies looking for long-term, stable bets rather than assets they can flip in a few years. Publishers make money when their songs are placed not only with recording artists for their albums, but also in TV shows, movies, video games and commercials.

"There are more uses for music every day," Miller said. "Music publishing as an asset class is looking better and better."

Though publishing remains a valuable business amid the industry's shifts, analysts believe one stumbling block to a deal includes Sony/ATV's high valuation. Many logical buyers would have to raise money to make a play. A bid from a major competitor, such as Warner Music, would also invite regulatory scrutiny.

Analysts do not expect the sale of Sony/ATV to be simple.

"The whole thing's an animal," said a music executive who asked not to be named as to not damage business relationships. "If you're going to sell it, you have to clean it up.''


http://www.latimes.com/
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 楼主| 发表于 2015-10-18 14:39:41 | 显示全部楼层
看来索尼是想卖。
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发表于 2015-10-22 13:00:27 | 显示全部楼层
MJ小丝 发表于 2015-10-10 10:56
靠,这些人好像说起来就是遗产公司那帮人跟SONY两家人的事,MJ的母亲在哪里?MJ的孩子不能说不想卖任何 ...

为什么会没有话语权呢= =想多了
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 楼主| 发表于 2015-10-25 17:48:36 | 显示全部楼层
纽约邮报:

Are the Jackson kids going to be a billion dollars richer this New Year?

The estate of the late Michael Jackson co-owns the world’s biggest music publisher, Sony/ATV, which spins off around $100 million in profit each year under the aegis of its popular chief executive, Martin Bandier.

The asset is being evaluated by its two owners to figure out who buys out whom.

Sony Corp. has hired investment bank Allen & Co. to work on valuing its portion of the lucrative asset. The Japan-headquartered consumer-electronics giant recently triggered an option to acquire the 50 percent stake owned by Jacko’s estate.

But Sony isn’t the only one coming up with a valuation. Jackson’s estate, repped by music lawyer John Branca, is also said to be talking about finding backers to buy out Sony. Most estimates put the Sony/ATV asset at around $2 billion to $2.5 billion.

The difficult challenge facing Branca is persuading the Jackson kids (Paris, Prince and Blanket) to forgo the giant check and double down and allow him to oversee the acquisition of the entire company with fresh backers.

Sources tell On the Money that probate courts would likely have to OK any decisions made on behalf of Jackson’s estate.

As if things couldn’t get more complicated, there’s the side issue of the EMI catalog, which is owned separately but managed by Sony/ATV. A change of control might trigger an exit for the owners of the catalog, who potentially could move somewhere else.
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发表于 2015-10-26 21:03:51 | 显示全部楼层
唉,不想索尼成功,肯定没安好心的!
虚伪的眼泪的会伤害他人,虚伪的笑容会伤害自己!
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 楼主| 发表于 2015-10-28 11:10:41 | 显示全部楼层

杰克逊遗产:我们打算收购索尼


三十年前,马蒂•班迪尔(Marty Bandier)准备向澳大利亚的亿万富翁罗伯特•霍尔姆斯•阿•库特(Robert Holmes a Court)支付5000万美元,以收购ATV曲库。这个曲库里有披头士和其他一些歌手的歌曲版权。他差一点就成功了,如果不是因为迈克尔•杰克逊的话。

当班迪尔乘坐飞机赶到伦敦时,霍尔姆斯•阿•库特却告诉他,曲库已经卖掉了。班迪尔立刻当面加价50万美元,但却被告知,另外一个竞标者开出了一个独一无二的条件:他可以在珀斯为这个亿万富翁举办一场慈善演唱会。人脉很广的班迪尔不依不饶,表示自己也可以把任何大明星带到澳大利亚开慈善演唱会。但这个大亨却摇摇头。 

“不不不,你不懂,”霍尔姆斯•阿•库特说,“我要卖给迈克尔•杰克逊了。”

班迪尔在接受《迈克尔杰克逊股份有限公司》一书作者采访时(此书的中文版明年在中国上市),讲述了这个轶事。而他,最终还是和他期望中的曲库成功会师:他后来被索尼请来担任索尼/ATV音乐出版公司的老总,这是这个日本电子巨头和杰克逊的合资公司。这个合资企业在1995年成立,索尼为获得杰克逊的一半版权而向他支付了1亿美元。现在这个合资公司价值20亿美元——就在这个月初,索尼决定启动出售程序,想要卖出他们的股份。

班迪尔在随后发给雇员的备忘录中表示,索尼已经启动了协议中的出售/收购条款,意味着索尼或杰克逊遗产都可以有机会收购对方的一半股份,从而成为这个公司的唯一拥有人。当然,也有可能是外界公司或财团介入,收购一半索尼/ATV股份或收购整个公司。一切都将在接下来几个月内揭晓。

索尼现在拒绝接受采访发表评论。但消息称,他们正在请专业人士对他们的股份进行估价。观察家认为,日本索尼集团之所以打算出售它的股份,原因和它2013年以13亿美元出售纽约总部的理由一样:急需现金。

杰克逊遗产管理人约翰•布兰卡(John Branca)则首次表态,他说现在还太早,不知道其他所有竞标者是谁,但是遗产也会参与其中。布兰卡说,“我们打算收购这家公司。”

布兰卡的言论尤其让人注目。考虑到杰克逊去世前的财务状况,当时杰克逊累积了近5亿美元的债务,大部分来自他拿索尼/ATV股份做的抵押贷款。但自他去世后,杰克逊已经创造了10亿美元的税前收入,足以偿还他的私人债务和其他款项。去年他又赚进1.15亿美元,再次让他名列2015年《福布斯》已故名人收入榜的榜首。

“巨大的灾难却给了他发光的机会,美国凯腾律师事务所信托和遗产部的全国主席乔什•鲁本斯坦(Josh Rubenstein)说,“杰克逊意外而戏剧化的过世,以及围绕他的所有戏剧性事件,都创造出了诱惑力。”

杰克逊持久的赚钱能力,可以让他的遗产能够想办法拉来合伙人融资买下索尼的股份。如果音乐界最近的趋势能让价格再降下来点,那遗产的机会就更加上涨了不少。

“由于在线播放公司只给音乐出版商和歌曲创作人支付很低的版税,所以让人很是担忧,”戴尔•川岛(Dale Kawashima)说,他是ATV的前任总裁,“买下索尼/ATV这样的好公司当然很值,但哪些版税可以继续赚取,依然有很多不确定性。”

另外一个可能给这个曲库降低价值的问题在于,披头士的歌曲版权将返还给创作者。在美国,法律规定,出版商1972年后买到的歌曲版权,须在35年后返还给歌曲原作者;若出版商是1972年前买到的歌曲版权,那么则需要在56年后返还给歌曲原作者。所以,一些披头士的歌曲版权将在不久的将来陆续返还给约翰•列侬和保罗•麦卡特尼(披头士中他们两人为主创,搭档写歌)。

于是,现在很难知道,在幕后,索尼/ATV和麦卡特尼及列侬的遗产会达成什么样的协议,是否可以延长他们的歌曲版权合作。不过,返还歌曲版权的规定仅限于美国,而披头士在全世界依然有很大的受众,ATV在全世界其他地方的出版权不受影响。

而索尼/ATV的版权目录上,也不只是披头士,经过几十年的演变和扩张,其他超级巨星的歌曲版权也收录其中,比如泰勒•斯威夫特(Taylor Swift)、阿姆(Eminem)等(他们签的唱片公司可以不在索尼,但他们的歌曲版权在索尼,唱片公司和出版公司是两回事)。潜在的竞标者可以拿2011年华纳音乐集团的出售案作为参考,当时这家公司估价30亿美元,三分之二的价值来自于它的出版部门。

无论索尼/ATV会发生什么,但有一件事是肯定的:这再一次展现了杰克逊较少为人所知的精明商业头脑。虽然他也犯过财务上的错误,但他去世以后,现在看来,他即将面对两个结果:1、他即将进行一次价值10亿美元的收购;2、他即将收获10亿美元的巨款。无论哪个结果,都让人“颤栗”。
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发表于 2015-12-2 12:50:04 | 显示全部楼层
无论索尼/ATV会发生什么,但有一件事是肯定的:这再一次展现了杰克逊较少为人所知的精明商业头脑。虽然他也犯过财务上的错误,但他去世以后,现在看来,他即将面对两个结果:1、他即将进行一次价值10亿美元的收购;2、他即将收获10亿美元的巨款。无论哪个结果,都让人“颤栗”。

酷~!
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 楼主| 发表于 2016-1-18 08:43:30 | 显示全部楼层
Martin Bandier将留任索尼/ATV总裁,继续主管杰克逊和索尼的合资公司

2016-01-14 迈克尔杰克逊中文网


音乐界大佬Martin Bandier周二刚刚续约,继续担任索尼/ATV音乐出版公司的首席执行官和主席。他将继续在总裁的位置上履职三年,年薪700万美元。

索尼/ATV音乐出版公司是迈克尔杰克逊和索尼总公司的合资企业,双方各占一半股份,也是杰克逊名下最大的产业。

这个合约让Bandier和他的职员能保持稳定状态。目前,索尼/ATV音乐出版公司启动了出售模式,索尼公司和迈克尔杰克逊各自拥有公司一半股权,现在双方正在谈判是索尼买断杰克逊的股份,还是杰克逊买断索尼的股份。

MJ遗产委员会管理人约翰布兰卡据说正在纠集财团收购索尼的股份。索尼之所以愿意出售,是因为它对索尼/ATV公司的复杂股权构成表示不满,因此要么单独控制所有股权,要么全盘出手。

目前索尼/ATV管理着超过300万首歌曲的版权,其中包括新生代的Taylor Swift、Ed Sheeran、Sam Smith,也有老牌艺人披头士、Bob Dylan, Carole King, Stevie Wonder等等。这家公司现在估值20亿美元。

74岁的Bandier在一份声明中说,他很激动能继续担任索尼/ATV的主席,他从2007年起就担任该职。(之前17年他是EMI百代音乐出版公司的主席)

“在我到来后,我们创造了世界第一大音乐出版公司,我很骄傲我们代理着世界最受喜爱的歌曲和那些最伟大的歌曲创作者。”他说,“我想感谢索尼和MJ遗产的管理人约翰布兰卡、约翰麦克莱恩。感谢他们的支持和对我的信心。我希望能在接下来几年,与他们分享更多的成功。”

索尼娱乐公司的总裁Michael Lynton说,“Marty Bandier是音乐界的传奇,我们很激动他能继续为索尼/ATV工作。自从他2007年加入并任职以来,这个公司达到了惊人的高度,我们希望公司在他的引导下继续繁荣昌盛。” 

迈克尔杰克逊遗产的管理人约翰布兰卡、约翰麦克莱恩表示,“Marty和索尼/ATV续约,让他能发挥创造性才华和管理才华,让杰克逊遗产受益,而我们也在战略性地并收入可观地应对着我们正在发展壮大的事业中所面临的挑战。”

2011年-2012年,Bandier曾在索尼和杰克逊遗产及其他财团22亿美元收购EMI音乐出版公司的进程中发挥了重要作用。
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