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发表于 2010-5-30 02:17:07
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本帖最后由 nitrogen 于 2010-6-15 21:19 编辑
Moonwalk, autobiography 1988
You’ll hit the charts just as Diana Ross and the Supremes did.” This was almost unheard of in those days, but he was right; we turned around and did just that. Three in a row.
So Diana didn’t find us first, but I don’t think we’ll ever be able to repay Diana properly for all she did for us in those days. When we finally moved to Southern California, we actually lived with Diana and stayed with her for more than a year on a part-time basis. Some of us lived with Berry Gordy and some of us with Diana, and then we would switch. She was so wonderful, mothering us and making us feel right at home. She really helped take care of us for at least a year and a half while my parents closed up the Gary house and looked for a house we could all live in here in California. It was great for us because Berry and Diana lived on the same street in Beverly Hills. We could walk up to Berry’s house and then go back to Diana’s. Most of the time I’d spend the day at Diana’s and the night at Berry’s.
This was an important period in my life because Diana loved art and encouraged me to appreciate it too. She took the time to educate me about it. We’d go out almost every day, just the two of us, and buy pencils and paint. When we weren’t drawing or painting, we’d go to museums. She introduced me to the works of the great artists like Michelangelo and Degas and that was the start of my lifelong interest in art. She really taught me a great deal. It was so new to me and exciting. It was really different from what I was used to doing, which was living and breathing music, rehearsing day in and day out. You wouldn’t think a big star like Diana would take the time to teach a kid to paint, to give him an education in art, but she did and I loved her for it. I still do. I’m crazy about her. She was my mother, my lover, and my sister all combined in one amazing person.
[...]
Once “I Want You Back” came out, everyone at Motown prepared us for success. Diana loved it and presented us at a big-name Hollywood discotheque, where she had us playing in a comfortable party atmosphere like at Berry’s. Following directly on the heels of Diana’s event came an invitation to play at the “Miss Black America” telecast. Being on the show would enable us to give people a preview of our record and our show. After we got the invitation, my brothers and I remembered our disappointment at not getting to go to New York to do our first TV show because Motown had called. Now we were going to do our first TV show and we were with Motown. Life was very good. Diana, of course, put the cherry on top. She was going to host “The Hollywood Palace,” and big Saturday night show; it would be her last appearance with the Supremes and the first major exposure for us. This meant a lot to Motown, because by then they had decided that our new album would be called “Diana Ross Presents the Jackson 5.” Never before had a superstar like Diana passed the torch to a bunch of kids. Motown, Diana, and five kids from Gary, Indiana, were all pretty excited. By then “I Want You Back” had come out, and Berry was proven right again; all the stations that played Sly and the Beatles were playing us, too.
[...]
I was already a devoted fan of film and animation by the time “The Jackson Five” Saturday morning cartoon show started appearing over network television in 1971. Diana Ross had enhanced my appreciation of animation when she taught me to draw, but being a cartoon character pushed me over the brink into a full-time love of the movies and the kind of animated motion pictures pioneered by Walt Disney. I have such admiration for Mr. Disney and what he accomplished with the help of so many talented artists. When I think about the joy he and his company have brought to millions of children – and adults – the world over, I am in awe.
[...]
Motown bought The Wiz for one reason, and as far as I was concerned, it was the best reason possible: Diana Ross.
Diana was close to Berry Gordy and had her loyalties to him and to Motown, but she did not forget us just because our records now had a different label on them. We had been in touch throughout the changes, and she had even met up with us in Las Vegas, where she gave us tips during our run there. Diana was going to play Dorothy, and since it was the only part that was definitely cast, she encouraged me to audition. She also assured me that Motown would not keep me from getting a part just to spite me or my family. She would make sure of that if she had to, but she didn’t think she’d have to.
She didn’t. It was Berry Gordy who said he hoped I’d audition for The Wiz .
[...]
When we were doing The Wiz , I was being instructed in the choreography along with my characters – the Tin Man, the Lion, and Diana Ross – and they were getting mad at me. I couldn’t figure out what was wrong until Diana took me aside and told me that I was embarrassing her. I just stared at her. Embarrassing Diana Ross? Me? She said she knew I wasn’t aware of it, but I was learning the dances much too quickly. It was embarrassing for her and the others, who just couldn’t learn steps as soon as they saw the choreographer do them. She said he’d show us something and I’d just go out there and do it. When he asked the others to do it, it took them longer to learn. We laughed about it, but I tried to make the ease with which I learned my steps less obvious.
[...]
The problems on the set were really few and far between and it was great working with Diana so closely. She’s such a beautiful, talented woman. Doing this movie together was very special for me. I love her very much. I have always loved her very much.
[...]
I still enjoy seeing The Wiz and reliving the experience. I am especially fond of the scene where Diana asks, “What am I afraid of? Don’t know what I’m made of . . .” because I’ve felt that way many times, even during the good moments of my life. She sings about overcoming fear and walking straight and tall. She knows and the audience knows that no threat of danger can hold her back.
[...]
Diana’s singing and dancing and acting have stayed with me ever since. She was a perfect Dorothy. After the evil witch had been defeated, the sheer joy of our dancing took over. To dance with Diana in that movie was like an abridged version of my own story – my knock-kneed walk and “bigfoot” spin were me in my early days; our tabletop dance in the sweatshop scene was where we were right then.
[...]
[Tatum and I] developed into a real close relationship. I fell in love with her (and she with me) and we were very close for a long time. Eventually the relationship transcended into a good friendship. We still talk now and then, and I guess you’d have to say she was my first love – after Diana. When I heard Diana Ross was getting married, I was happy for her because I knew it would make her very joyous. Still, it was hard for me, because I had to walk around pretending to be overwhelmed that Diana was getting married to this man I’d never met. I wanted her to be happy, but I have to admit that I was a bit hurt and a little jealous because I’ve always loved Diana and always will. |
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