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发表于 2009-10-7 05:57:04
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本帖最后由 lovelymj 于 2009-10-7 08:44 编辑
MJ: Makes you want to seek him out and find him. Absolutely. I love that. And some people just throw up their hand and go, “What is this all about, the universe and where is he? I want to talk to him and what is it?” You know I love that. He’s the ultimate. He is. He’s the man.
SB: So this is how we stop people from being bored. First of all one more thing before we move on to boredom. So you instinctively knew timing, mystery? You just knew?
MJ: Yeah, it’s true, Shmuley.
SB: It’s not a like a manager pulled you aside and said, “Michael. You can be a big star. Don’t overdo it.
MJ: No. No way.
SB: Did your brothers not understand it?
MJ: No, they don’t understand it. They would jump on anything, any second. If anybody said, “I want to interview you tomorrow about Michael’s new style of dress, “Sure.” ‘Cause they just want to be on TV, to be on TV. I think people appreciate you much more when you, you know conserve, just hold…you know.
SB: Hold back?
MJ: Hold back and build and give yourself a certain kind of class and make them reach out for you and just…I love gates to a house. I love big huge pillars and gates. You don’t know what’s back there beyond the road. You just see these…You know, you go, “God, who lives in there?” I love that. You know, you never see them but you see the gates and I love that.
SB: But the gates to Neverland are so simple.
MJ: So simple, that’s how I wanted them. Because I don’t want the gates to represent, you know, it’s an act of almost psychology. I was gonna mane them so, kid of,almost…what’s the word? Ummm, I can’t think of the word I’m looking for. I was gonna have people swing them open and really kind of have them funky and tattered, just so psychologically you really feel like you’re coming to a ranch, so that when you go around the bend I want it to change to Technicolor, like the Wizard of Oz does in black and white.
SB: That’s exactly what happened with us. Firs thing we said when we got to Neverland was , “This can’t be his ranch, what are those simple doors?” Then you drive through and you see the sign, “Welcome to Neverland” and then, kaboom.
MJ: Yeah.
SB: It just hits you.
MJ: That, see, that’s important to understand in show business. If you open with too much of a bang, where do you go from there? You crescendo too big, you have nowhere to go. You can’t do that. That’s why I always say, in amusement parks, the guy who creates the roller coaster , the dips, you’re going up at first, way up and you go, “Oh my God, why did I do this?” Then it takes you straight down and it takes you up a little bit, then down, and he’s the real showman, the guy who creates the dips. You know the peaks and valleys, then he takes you straight real fast and up and upside down. He’s a showman. That guy’s a real showman because he understands syncopation and rhythm and structure and that’s important. That’s real important as an artist of show business and most of your artists today know nothing about it.
SB: They all overexpose themselves.
MJ: At all. At all.
SB: Is that your professional greatest blessing, that you were born with that rhythm? You just had that natural timing and you understood it?
MJ: Yeah, yeah, I think.
SB: Is it part of your love for God and his hiddenness and all that, that it’s all one, that you sort of tapped into that divine mystery and you know the power of mystery?
MJ: Yeah, I think, yeah like you say, it’s just something…like the way you speak. That’s the power of God in you Shmuley. (talks more about seeing the power of God in the rabbi)
SB: You just get into the zone, the timing.
MJ: You just get into it, man. You become one with what God gave you. It’s like talking, it’s spiritual. It’s between you and God and the audience is right there with you. How you describe it, I mean, how do you dissect it, how do you analyze it? You really can’t. People say how do you do it? “Well I work out and train.” Well, you don’t.
SB: So yesterday, ‘N Sync came to see you. The lead singer Justin Timberlake and I don’t know who the other guy was. What’s his name?
MJ: Wade is a choreographer for…
SB: Oh, he wasn’t from ‘N Sync, Wade?
MJ: No, he’s a choreographer for Britney Spears and ‘N Sync. See I taught Wade.
SB: Really?
MJ: Yeah, I taught Wade. All the stuff you see Britney Spears and N Sync doing, that whole style came from me ‘cause I taught Wade. Wade’s from Australia and I brought him to America.
SB: So he’s their choreographer?
MJ: Yeah, and he does music. He was on my record label. We signed him to MJJ. He raps, he does everything.
SB: So he was here with Britney Spears, one of the biggest starts in the world right now, and that lead singer of N Sync, and they’re boyfriend and girlfriend. (very long-winded question) Is there any advice you would give them?
MJ: Just try to stay a child as long as you can. Don’t force into adulthood. Don’t force it, don’t push it. Don’t try to be cool and…go to Disney, hang out, enjoy your youth, ‘cause you’ll be old for, I mean you know, just keep your innocence. Have some fun and really be yourself.
(rabbi talks about how after the fact, MJ’s advice was “disappointing”)
SB: So what would you say to these people that are successful in the arts who are younger than you? The N Syncs? You would just tell them to be playful as well, don’t take it too seriously? Would you tell them anything else? Don’t take yourself too seriously or something?
MJ: No, I would always tell them to perfect your craft, always. I’m a very strong believer in working hard. But enjoy it, you know? Like be mild-spirited, playful, have some fun. You’ve got to have some fun, too.
SB: What about, you always say to me how proud you are that your family is a family show, that your concerts are appropriate for children.
MJ: Oh yeah.
SB: Britney Spears was heavily criticized by some in the last MTV awards, like she almost did a striptease on stage.
MJ: Oh…yeah, yeah.
SB: She took this off and that off and just threw off…Do you think she needs to use that much sexuality to get out her message? Or, if she’s really talented she may not need that? Would you give her any advice on that? Or it’s a part of the show and no big deal?
MJ: Umm, I don’t want to condemn her for it ‘cause it’s a show. But she has to realize she has, you know, kids out there you want to be like her and they’ll do whatever she does. I don’t know, sometimes artists don’t realize the danger of what they’re doing. If I took a picture of me with a cigarette, how many kids would start smoking that very day? You know, you have to think about all of that. And I understand, well, it’s just a video, I’m just acting a part, but you’re like their god. I mean…
SB: You’ve always felt that sense of responsibility?
MJ: Uh huh.
SB: You’ve always known how that picture of you appears, people are going to emulate that?
MJ: Yeah, and I understand why some artists may be a little controversial at times. I understand it. You know, if the pres start talking too much about her coming from the Mickey Mouse Club and being, you know, cutie Britney, she might think, “I want to give them some edge so I can strip this. I’m edgier, I’m tougher, I’m…” You know? So I understand. I think deep down inside she’s just a sweet person, you know?
SB: So you would say to her, keep your clothes on, keep it in balance here, ‘cause there are kids who want to be like you and you have a responsibility?
MJ: Yeah, ‘cause I like edge.
SB: You always understood the importance of that responsibility, when you became famous? You knew you had a huge responsibility as an icon and as a trend-setter?
MJ: Yeah, ‘cause I don’t ever think, I don’t think I’ve ever done anything offensive on stage…ever. Like some of these acts, you talk about how Bobby Brown would get a girl up there and he starts grinding her, you know, right on in front of everybody and police arrested him several times. Like having sex right on stage and all these kids in the audience. My show, it’s just totally different. |
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